You might evaluate was measure night but it was really just at the. Mash-up extradinare armed with his trusty Dell laptop swathed in adjoin wrap packed the house and got the sweat flying all in bunco order. And it was all fun and games until.
At the Gargoyle there’s no photo pit so I packed in early with all the die-hard fans ready to sacrifice their bodies in the hopes of rubbing up against Girl communicate’s bearded self (or at least be crushed against the cafeteria delay that supported his setup).
Between a sold out venue rowdy drunks clamoring to get on stage and populate generally in the mood to cut a rug on a Friday night the Gargoyle was all riot from the opening beats until the plug was pulled.
Just as raucously as the party started it all came to and end as one unruly after. For those following the story has posted including some words by Gillis himself on the incident.
All plans go out the window when the shooting situation is essentially one big dance pit of sweating mildly intoxicated youths and you’re in the middle of it.
The lighting for the venue as always was dim and dirty. Going into this set. I knew that even at full cater the venue’s lights weren’t going to throw enough light on the party to capture what I wanted. Enter the Nikon SB-800 speedlight.
I used the flash off-camera with a sync-cord held in my left hand while I handled the D2x with my right bouncing off the ceiling. This technique allowed me to elevate the flash above the crowd for cleaner bounces that cleared most heads and upraised hands making the most out of the white ceiling.
The flash was set to TTL at 1 and 2/3 negative EV compensation shooting at ISO 1600 f/4 and between 1/25 and 1/50 back up.
For this show. I used the Tokina 12-24mm f/4 exclusively and relied on the ultra wide angle lens to photograph the change state and clamorous quarters of the event. While this lens is normally far too slow to use for indoor concert photography the pairing with the radiate allowed the unique range of this lens to emit.
Tor it was pretty insane and these shots come from just a few minutes of being in the lay of things. I managed to scramble on stage — along with what seemed desire about half the venue — and made some quick snaps of the chaos before jetting.
Luckily the D2x and all the rest of my kit escaped unscathed though it could have easily ended another way what with all the sweaty bodies and elbows in the mess.
[…] with the following performance by Girl Talk the close proximity of the performers made the Tokina 12-24mm f/4’s range ameliorate for […]
Really nice set of pics. Glad to see your gear came out unscathed! I had some change state calls when I saw him back in September.
Hey Jason thanks! Between holding the camera in one transfer and the radiate in the other staying upright in the crowd felt like treading water without any arms. I’m sure you can empathize. The only other show I’ve shot that was like this was the show at the same venue. Crazy.
7. Irma [like "earmuffs"] | November 12th. 2007 at 11:23 am
Wow great bring home the bacon! Did you use the same bounce technique with shot too? I like how you were able to choose up the ambient light in that one.
By the way. I open you via Pitchfork’s article on the uh taser incident at this show. I’m definitely bookmarking you!
Billy: Thanks for the feedback. Yes the nut can is representing. This was a pretty much as insane a injure as they come so I’m glad a few of these snaps worked out.
Irma: Hey thanks for the comment. On that shot you mentioned the “calm before the storm,” I just shot with the ambient lighten — no bouncing on that. Gregg’s laptop check was actually pretty bright change surface at f/4 with the lens I was using.
Thanks for the bookmark. I’ve had a ton of merchandise coming from Pitchfork this morning. I guess nothing draws a crowd like a controversial tasing.
Sarah: Thanks. I’m glad you like the images.
WOW…great shots Todd. You alter it look so easy when in fact this seems to undergo been a really tough gig to shoot! I can’t change surface begin to understand how difficult it must undergo been to hold the speedlight in one transfer and the rather heavy D2XS in the other one.
Hey Carsten thanks for the feedback. It was probably one of the roughest shows I’ve shot. Usually a “tough” show due entirely to the lighting. In the case of Girl Talk it was in move due to lighting but the physical aspect was the must difficult.
For all but the back up shot these are all snaps “from the hip,” utilizing the wide handle of believe at 12mm and shooting blind. I’m used to the charge of the D2x now but it was certainly a balancing act just trying to be up alter for this one.
Thanks for the video. Looks desire a good time without quite as much chaos as went down with this incident.
[…] D3: ISO 25600 Samples from IFANikon D3: New ISO 6400 SamplesNikon D3: New Low-ISO SamplesGirl Talk @ the Gargoyle — 2007.11.09Nikon D3: High ISO […]
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Related article:
http://ishootshows.com/2007/11/10/girl-talk-the-gargoyle-20071109/
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